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Prête-à-manger?

Prête-à-manger?

The Neon Demon, NWR’s latest piece of provocation (he’s like a more genre-motivated Lars Von Trier), begins with one of those visual and aural grand statements, a reclining model/mannequin(?) – the French word is the same for both – her throat severed and oozing blood while she stares transfixed at the camera lens.  There will […]