Ben Wheatley’s most visually flamboyant picture to date understandably evokes memories of Cronenberg and Roeg while confirming him as a director with a penchant for the weird, and an unsettling treatment of violence bordering on misanthropy. (http://www.cinefileonline.co.uk/cinefile-database/7535/)
Sorrentino’s latest is a riot of sagging flesh and portentous theatrics. http://www.cinefileonline.co.uk/cinefile-database/7517/ It’s like Tarkovsky and Fellini rolled into one, an indigestible melange. Time to lay the ghost of Otto e mezzo.
I am not sure what is worse, the narcissistic assumption that we are as interested in his opus numbers as we might have been in Fellini’s, or the unbridled and increasing tendency to defile his models. Whereas Pulp Fiction and Reservoir Dogs, and even Jackie Brown, elevated their pulp material into something more measured and […]
Peter Mayle’s book, A Year in Provence, was a newstand hit at the same time I spent my own very formative year there, and so I resisted reading it and, for a long time, resisted watching Scott’s screen version of it. (I was there first, and I wasn’t having anyone else telling me how gorgeous […]
She lit up the screen tonight at Ipswich Film Society, a true artist and comedienne of the front rank and… what a dress! (To Be or Not to Be)
Having been drawn by some irresistible force (sic) to visit J. J. Abrams Star Wars reboot (http://www.cinefileonline.co.uk/cinefile-database/7476/), I was underwhelmed by the storytelling, even if some shots, like the last one, attained some sort of mythic greatness. What kept coming to mind was Oppenheimer’s famous misquote: ‘I am become Death, the destroyer of worlds’. Now […]
I have seen the best film of 2015 and its name is Carol. It is as close to perfection as anything you could hope to see, short of a re-run of Doctor Zhivago. It’s a love story that does not forget the other characters, like Far from Heaven did not, and it had me squirming […]
Two movies just seen, The Martian (http://www.cinefileonline.co.uk/cinefile-database/7456/) and The Walk (http://www.cinefileonline.co.uk/cinefile-database/7455/), exemplify the symbiotic relationship Hollywood now has with CGI. It is hard to conceive of anything that cannot be realized for the screen, with the possible exception of the human face, which still resists digital counterfeiting. At least, however, in these two cases the technology went […]
http://www.cinefileonline.co.uk/cinefile-database/7441/ Just caught Denis Villeneuve’s taut new thriller, a much needed slice of intelligent film-making for the multiplexes, and another beefed-up role for Emily Blunt after Edge of Tomorrow.
Just saw Face of a Fugitive on Film Four, and what a great B-movie Western it is. But more than that, it caused me to reflect as I watched Fred MacMurray’s effortlessly charismatic performance, on how every great American star tried his hand at the genre, and nearly always came up smelling of roses: Wayne […]