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M My Name Is Nobody (1973)
My Name Is Nobody.jpg Image 1 of
My Name Is Nobody.jpg
My Name Is Nobody.jpg

My Name Is Nobody (1973)

£0.00


Country: IT/FR/GER
Technical: col/scope 116m
Director: Tonino Valerii
Cast: Terence Hill (Mario Girotti), Henry Fonda, Jean Martin

Synopsis:

A supreme gunfighter hopes to find peaceful retirement in Europe, but the persistent admiration of a young man called 'Nobody' prevents him from hanging up his guns until he faces the 150 horsemen of The Wild Bunch alone.

Review:

A bizarre Western with one or two intelligent things to say about legends and how they are born (as well as some typically cynical things), but spends a lot of its time being childishly irrelevant in the comic spaghetti style. Fonda redeems it, though, and the climactic onslaught of the one hundred and fifty is a memorable set piece.

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Country: IT/FR/GER
Technical: col/scope 116m
Director: Tonino Valerii
Cast: Terence Hill (Mario Girotti), Henry Fonda, Jean Martin

Synopsis:

A supreme gunfighter hopes to find peaceful retirement in Europe, but the persistent admiration of a young man called 'Nobody' prevents him from hanging up his guns until he faces the 150 horsemen of The Wild Bunch alone.

Review:

A bizarre Western with one or two intelligent things to say about legends and how they are born (as well as some typically cynical things), but spends a lot of its time being childishly irrelevant in the comic spaghetti style. Fonda redeems it, though, and the climactic onslaught of the one hundred and fifty is a memorable set piece.


Country: IT/FR/GER
Technical: col/scope 116m
Director: Tonino Valerii
Cast: Terence Hill (Mario Girotti), Henry Fonda, Jean Martin

Synopsis:

A supreme gunfighter hopes to find peaceful retirement in Europe, but the persistent admiration of a young man called 'Nobody' prevents him from hanging up his guns until he faces the 150 horsemen of The Wild Bunch alone.

Review:

A bizarre Western with one or two intelligent things to say about legends and how they are born (as well as some typically cynical things), but spends a lot of its time being childishly irrelevant in the comic spaghetti style. Fonda redeems it, though, and the climactic onslaught of the one hundred and fifty is a memorable set piece.

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