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Publications
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S Sudden Impact (1983)
Sudden Impact.jpg Image 1 of
Sudden Impact.jpg
Sudden Impact.jpg

Sudden Impact (1983)

£0.00


Country: US
Technical: col/scope 117m
Director: Clint Eastwood
Cast: Clint Eastwood, Sondra Locke, Pat Hingle, Bradford Dillman

Synopsis:

Harry Callahan is assigned a case outside San Francisco where a traumatised woman is gunning down rapists.

Review:

Famous for its 'Make my day' catchphrase, this fourth Dirty Harry outing is very much an 80s reboot of a tired 70s formula. The first directed by the star, it has a greater emphasis on aesthetics in the use of widescreen, lighting, framing and the fetishism of weaponry. A robust thriller with punitive violence, it is no longer the frontier response to a defunct liberal law and order policy that it was, but a fully-fledged assertion of the new Republican Right agenda.

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Country: US
Technical: col/scope 117m
Director: Clint Eastwood
Cast: Clint Eastwood, Sondra Locke, Pat Hingle, Bradford Dillman

Synopsis:

Harry Callahan is assigned a case outside San Francisco where a traumatised woman is gunning down rapists.

Review:

Famous for its 'Make my day' catchphrase, this fourth Dirty Harry outing is very much an 80s reboot of a tired 70s formula. The first directed by the star, it has a greater emphasis on aesthetics in the use of widescreen, lighting, framing and the fetishism of weaponry. A robust thriller with punitive violence, it is no longer the frontier response to a defunct liberal law and order policy that it was, but a fully-fledged assertion of the new Republican Right agenda.


Country: US
Technical: col/scope 117m
Director: Clint Eastwood
Cast: Clint Eastwood, Sondra Locke, Pat Hingle, Bradford Dillman

Synopsis:

Harry Callahan is assigned a case outside San Francisco where a traumatised woman is gunning down rapists.

Review:

Famous for its 'Make my day' catchphrase, this fourth Dirty Harry outing is very much an 80s reboot of a tired 70s formula. The first directed by the star, it has a greater emphasis on aesthetics in the use of widescreen, lighting, framing and the fetishism of weaponry. A robust thriller with punitive violence, it is no longer the frontier response to a defunct liberal law and order policy that it was, but a fully-fledged assertion of the new Republican Right agenda.

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