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S The Scarlet Pimpernel (1934)
The Scarlet Pimpernel.jpg Image 1 of
The Scarlet Pimpernel.jpg
The Scarlet Pimpernel.jpg

The Scarlet Pimpernel (1934)

£0.00


Country: GB
Technical: bw 98m
Director: Harold Young
Cast: Leslie Howard, Merle Oberon, Raymond Massey

Synopsis:

A French noblewoman is oblivious of the fact that her husband, a noted London fop, is in fact smuggling aristos out of France. Then the Directoire puts pressure on her by arresting her brother.

Review:

Instead of swashbuckling action everything rests here on the brilliance of the repartee between the two rivals, a reliance which is well-placed for seldom has so much delicate fun been afforded by such masterly actors in a genre piece of this kind. It is not a romp: it retains a respect for its characters and plot, and a belief in them, and yet sobriety and jingoism are constantly, effortlessly avoided.

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Country: GB
Technical: bw 98m
Director: Harold Young
Cast: Leslie Howard, Merle Oberon, Raymond Massey

Synopsis:

A French noblewoman is oblivious of the fact that her husband, a noted London fop, is in fact smuggling aristos out of France. Then the Directoire puts pressure on her by arresting her brother.

Review:

Instead of swashbuckling action everything rests here on the brilliance of the repartee between the two rivals, a reliance which is well-placed for seldom has so much delicate fun been afforded by such masterly actors in a genre piece of this kind. It is not a romp: it retains a respect for its characters and plot, and a belief in them, and yet sobriety and jingoism are constantly, effortlessly avoided.


Country: GB
Technical: bw 98m
Director: Harold Young
Cast: Leslie Howard, Merle Oberon, Raymond Massey

Synopsis:

A French noblewoman is oblivious of the fact that her husband, a noted London fop, is in fact smuggling aristos out of France. Then the Directoire puts pressure on her by arresting her brother.

Review:

Instead of swashbuckling action everything rests here on the brilliance of the repartee between the two rivals, a reliance which is well-placed for seldom has so much delicate fun been afforded by such masterly actors in a genre piece of this kind. It is not a romp: it retains a respect for its characters and plot, and a belief in them, and yet sobriety and jingoism are constantly, effortlessly avoided.

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